/ Facultad de Filología, Universidad de Belgrado

Edición:

Tm. 15 (2023)

Tm. 14 (2022)

Tm. 13 (2021)

Tm. 12 (2020)

Tm. 11 (2019)

Tm. 10 (2018)

Tm. 9 (2017)

Tm. 8 (2016)

Tm. 7 (2015)

Tm. 6 (2014)

Tm. 5 (2013)

Tm. 4 (2012)

Tm. 3 (2011)

Tm. 2 (2010)

Tm. 1 (2009)

Belgrade English Language and Literature Studies, Tm. 3 (2011)


1.
Richard II: His Hidden Legacy in the English Language
Junichi Toyota
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 9–32
https://doi.org/10.18485/bells.2011.3.1Detallado
2.
Progressive Aspect Today: The Stative Verbs
Hortensia Pârlog
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 33–48
https://doi.org/10.18485/bells.2011.3.2Detallado
3.
The Marker "You See": Cognitive-Pragmatic and Socio-Pragmatic Observations
Mirjana Mišković-Luković
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 49–62
https://doi.org/10.18485/bells.2011.3.3Detallado
4.
Perception of Uniqueness and the Acquisition of the English Article System
Lech Zabor
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 63–86
https://doi.org/10.18485/bells.2011.3.4Detallado
5.
Gender and Vocabulary Learning in EFL: A Case Study from Macedonia
Anžela Nikolovska
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 87–109
https://doi.org/10.18485/bells.2011.3.5Detallado
6.
The CVX Theory of Syllable: The Analysis of Word-Final Rhymes in English and in Slovak
Renáta Gregová
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 111–126
https://doi.org/10.18485/bells.2011.3.6Detallado
7.
Quenched Light, or Seeing Through a Glass Darkly - A Collocation-Based View of Larkin’s Atheism and Depression
Marija Milojković
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 127–144
https://doi.org/10.18485/bells.2011.3.7Detallado
8.
Men and Beauty
Adrian Frazier
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 147–162
https://doi.org/10.18485/bells.2011.3.8Detallado
9.
Forging, Milking, Delivering: The Female and Maternal as Links Between a "Portrait" and "Ulysses"
Biljana Dojčinović
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 163–173
https://doi.org/10.18485/bells.2011.3.9Detallado
10.
Why Is a Talking Bird Funny? Aspects of Humor in "The Jewbird" by Bernard Malamud
Rumena Bužarovska
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 175–185
https://doi.org/10.18485/bells.2011.3.10Detallado
11.
Louis Macneice’s "Zoo" as a Personal Menagerie
Teresa Bruś
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 187–200
https://doi.org/10.18485/bells.2011.3.11Detallado
12.
Disintegration of Jewish Polish Identity and Re-Invention of a Postmodern Hybridized Self in Eva Hoffman’s "Lost in Translation: Life in a New Language"
Elżbieta Klimek-Dominiak
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 201–214
https://doi.org/10.18485/bells.2011.3.12Detallado
13.
“Hey, Come on, We’re All Americans Here": The Representation of Muslim-American Identity in John Updike’s "Terrorist"
Ulla Kriebernegg
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 215–228
https://doi.org/10.18485/bells.2011.3.13Detallado
14.
Postmodern Irony and Humor in "Catch-22" by Joseph Heller and Their Parallels in Postmodern Music and Art
Mirjana M. Knežević
Belgrade English Language and Literature Studies, 2011. - Tm. 3, p. 229–247
https://doi.org/10.18485/bells.2011.3.14Detallado