/ Filološki fakultet, Univerzitet u Beogradu

Izdanja:

Knj. 15 (2023)

Knj. 14 (2022)

Knj. 13 (2021)

Knj. 12 (2020)

Knj. 11 (2019)

Knj. 10 (2018)

Knj. 9 (2017)

Knj. 8 (2016)

Knj. 7 (2015)

Knj. 6 (2014)

Knj. 5 (2013)

Knj. 4 (2012)

Knj. 3 (2011)

Knj. 2 (2010)

Knj. 1 (2009)

Belgrade English Language and Literature Studies, Knj. 6 (2014)


1.
The Everlasting Companion Of Our Experience
Interview: Veselin Kostić
Radojka Vukčević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 15–20
https://doi.org/10.18485/bells.2014.6.1Detaljnije
2.
Shakespeare in Music Theatre: “West Side Story”
Svetozar Rapajić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 23–41
https://doi.org/10.18485/bells.2014.6.2Detaljnije
3.
Untying the Knot: Shakespeare’s Sonnets 27 and 144 in Serbian Translations
Jelisaveta Milojević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 43–59
https://doi.org/10.18485/bells.2014.6.3Detaljnije
4.
Svetislav Stefanović’s Interpretation of William Shakespeare and World Literature
Dubravka Đurić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 61–81
https://doi.org/10.18485/bells.2014.6.4Detaljnije
5.
Shakespeare Studies, Philosophy and World Literature
Zorica Bečanović Nikolić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 83–103
https://doi.org/10.18485/bells.2014.6.5Detaljnije
6.
Nothing of Woman: The Feminine Void of Matter in Shakespeare
Danica Igrutinović
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 105–129
https://doi.org/10.18485/bells.2014.6.6Detaljnije
7.
Earliest Shakespeare: Bombast and Authenticity
Goran Stanivuković
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 131–155
https://doi.org/10.18485/bells.2014.6.7Detaljnije
8.
The Stage as Purgatory: Shakespearean Moral Dilemmas
Vesna Lopičić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 157–173
https://doi.org/10.18485/bells.2014.6.8Detaljnije
9.
Vision in Shakespeare’s Tragic Plays: Perception, Deception, Delusion
Nataša Šofranac
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 175–189
https://doi.org/10.18485/bells.2014.6.9Detaljnije
10.
‘To Do a Great Right, Do a Little Wrong’: “The Merchant of Venice” and Its Ethical Challenges
Danijela Kambasković
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 191–211
https://doi.org/10.18485/bells.2014.6.10Detaljnije
11.
“A Fortnight Hold We This Solemnity”: The Elizabethan Annual Cycle in Shakespeare’s Major Comedies
Milica Spremić Končar
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 213–229
https://doi.org/10.18485/bells.2014.6.11Detaljnije
12.
“I am for Other Than for Dancing Measures”: Shakespeare’s Spiritual Quest in “As You Like It”
Milena Kostić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 231–245
https://doi.org/10.18485/bells.2014.6.12Detaljnije
13.
In Search of the Unpresentable: ‘Detectives of the Sublime’ in (Post) Modern American Novel
Vladimir Bogićević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 247–271
https://doi.org/10.18485/bells.2014.6.13Detaljnije
14.
Popular Culture in its Postmodern Context: Vladimir Nabokov’s “Lolita”
Irina Kovačević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 273–291
https://doi.org/10.18485/bells.2014.6.14Detaljnije
15.
Instructing the Individual in Democracy in Walt Whitman’s “Leaves of Grass”
Stefan Pajović
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 293–302
https://doi.org/10.18485/bells.2014.6.15Detaljnije