/ Filološki fakultet, Univerzitet u Beogradu

Izdanja:

Knj. 1 (2009),

Knj. 2 (2010),

Knj. 3 (2011),

Knj. 4 (2012),

Knj. 5 (2013),

Knj. 6 (2014),

Knj. 7 (2015),

Knj. 8 (2016),

Knj. 9 (2017),

Knj. 10 (2018),

Knj. 11 (2019),

Belgrade English Language and Literature Studies, Knj. 6 (2014)


1.
Shakespeare in Music Theatre: “West Side Story”
Svetozar Rapajić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 23-41

https://doi.org/10.18485/bells.2014.6.2
Detaljnije
2.
Untying the Knot: Shakespeare’s Sonnets 27 and 144 in Serbian Translations
Jelisaveta Milojević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 43-59

https://doi.org/10.18485/bells.2014.6.3
Detaljnije
3.
Svetislav Stefanović’s Interpretation of William Shakespeare and World Literature
Dubravka Đurić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 61-81

https://doi.org/10.18485/bells.2014.6.4
Detaljnije
4.
Shakespeare Studies, Philosophy and World Literature
Zorica Bečanović Nikolić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 83-103

https://doi.org/10.18485/bells.2014.6.5
Detaljnije
5.
Nothing of Woman: The Feminine Void of Matter in Shakespeare
Danica Igrutinović
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 105-129

https://doi.org/10.18485/bells.2014.6.6
Detaljnije
6.
Earliest Shakespeare: Bombast and Authenticity
Goran Stanivuković
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 131-155

https://doi.org/10.18485/bells.2014.6.7
Detaljnije
7.
The Stage as Purgatory: Shakespearean Moral Dilemmas
Vesna Lopičić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 157-173

https://doi.org/10.18485/bells.2014.6.8
Detaljnije
8.
Vision in Shakespeare’s Tragic Plays: Perception, Deception, Delusion
Nataša Šofranac
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 175-189

https://doi.org/10.18485/bells.2014.6.9
Detaljnije
9.
‘To Do a Great Right, Do a Little Wrong’: “The Merchant of Venice” and Its Ethical Challenges
Danijela Kambasković
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 191-211

https://doi.org/10.18485/bells.2014.6.10
Detaljnije
10.
“A Fortnight Hold We This Solemnity”: The Elizabethan Annual Cycle in Shakespeare’s Major Comedies
Milica Spremić Končar
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 213-229

https://doi.org/10.18485/bells.2014.6.11
Detaljnije
11.
“I am for Other Than for Dancing Measures”: Shakespeare’s Spiritual Quest in “As You Like It”
Milena Kostić
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 231-245

https://doi.org/10.18485/bells.2014.6.12
Detaljnije
12.
In Search of the Unpresentable: ‘Detectives of the Sublime’ in (Post) Modern American Novel
Vladimir Bogićević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 247-271

https://doi.org/10.18485/bells.2014.6.13
Detaljnije
13.
Popular Culture in its Postmodern Context: Vladimir Nabokov’s “Lolita”
Irina Kovačević
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 273-291

https://doi.org/10.18485/bells.2014.6.14
Detaljnije
14.
Instructing the Individual in Democracy in Walt Whitman’s “Leaves of Grass”
Stefan Pajović
Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 293-302

https://doi.org/10.18485/bells.2014.6.15
Detaljnije