/ Faculty of Philology, University of Belgrade

Issues:

Vol. 12 (2020),

Vol. 11 (2019),

Vol. 10 (2018),

Vol. 9 (2017),

Vol. 8 (2016),

Vol. 7 (2015),

Vol. 6 (2014),

Vol. 5 (2013),

Vol. 4 (2012),

Vol. 3 (2011),

Vol. 2 (2010),

Vol. 1 (2009),

Belgrade English Language and Literature Studies, Vol. 3 (2011)


1.
Richard II: His Hidden Legacy in the English Language
Junichi Toyota
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 9-32
https://doi.org/10.18485/bells.2011.3.1Detailed
2.
Progressive Aspect Today: The Stative Verbs
Hortensia Pârlog
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 33-48
https://doi.org/10.18485/bells.2011.3.2Detailed
3.
The Marker "You See": Cognitive-Pragmatic and Socio-Pragmatic Observations
Mirjana Mišković-Luković
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 49-62
https://doi.org/10.18485/bells.2011.3.3Detailed
4.
Perception of Uniqueness and the Acquisition of the English Article System
Lech Zabor
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 63-86
https://doi.org/10.18485/bells.2011.3.4Detailed
5.
Gender and Vocabulary Learning in EFL: A Case Study from Macedonia
Anžela Nikolovska
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 87-109
https://doi.org/10.18485/bells.2011.3.5Detailed
6.
The CVX Theory of Syllable: The Analysis of Word-Final Rhymes in English and in Slovak
Renáta Gregová
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 111-126
https://doi.org/10.18485/bells.2011.3.6Detailed
7.
Quenched Light, or Seeing Through a Glass Darkly - A Collocation-Based View of Larkin’s Atheism and Depression
Marija Milojković
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 127-144
https://doi.org/10.18485/bells.2011.3.7Detailed
8.
Men and Beauty
Adrian Frazier
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 147-162
https://doi.org/10.18485/bells.2011.3.8Detailed
9.
Forging, Milking, Delivering: The Female and Maternal as Links Between a "Portrait" and "Ulysses"
Biljana Dojčinović
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 163-173
https://doi.org/10.18485/bells.2011.3.9Detailed
10.
Why Is a Talking Bird Funny? Aspects of Humor in "The Jewbird" by Bernard Malamud
Rumena Bužarovska
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 175-185
https://doi.org/10.18485/bells.2011.3.10Detailed
11.
Louis Macneice’s "Zoo" as a Personal Menagerie
Teresa Bruś
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 187-200
https://doi.org/10.18485/bells.2011.3.11Detailed
12.
Disintegration of Jewish Polish Identity and Re-Invention of a Postmodern Hybridized Self in Eva Hoffman’s "Lost in Translation: Life in a New Language"
Elżbieta Klimek-Dominiak
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 201-214
https://doi.org/10.18485/bells.2011.3.12Detailed
13.
“Hey, Come on, We’re All Americans Here": The Representation of Muslim-American Identity in John Updike’s "Terrorist"
Ulla Kriebernegg
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 215-228
https://doi.org/10.18485/bells.2011.3.13Detailed
14.
Postmodern Irony and Humor in "Catch-22" by Joseph Heller and Their Parallels in Postmodern Music and Art
Mirjana M. Knežević
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 229-247
https://doi.org/10.18485/bells.2011.3.14Detailed