/ Faculty of Philology, University of Belgrade

Issues:

Vol. 16 (2024)

Vol. 15 (2023)

Vol. 14 (2022)

Vol. 13 (2021)

Vol. 12 (2020)

Vol. 11 (2019)

Vol. 10 (2018)

Vol. 9 (2017)

Vol. 8 (2016)

Vol. 7 (2015)

Vol. 6 (2014)

Vol. 5 (2013)

Vol. 4 (2012)

Vol. 3 (2011)

Vol. 2 (2010)

Vol. 1 (2009)

Belgrade English Language and Literature Studies, Vol. 3 (2011)


1.
Richard II: His Hidden Legacy in the English Language

Junichi Toyota
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 9–32
https://doi.org/10.18485/bells.2011.3.1Detailed
2.
Progressive Aspect Today: The Stative Verbs

Hortensia Pârlog
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 33–48
https://doi.org/10.18485/bells.2011.3.2Detailed
3.
The Marker "You See": Cognitive-Pragmatic and Socio-Pragmatic Observations

Mirjana Mišković-Luković
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 49–62
https://doi.org/10.18485/bells.2011.3.3Detailed
4.
Perception of Uniqueness and the Acquisition of the English Article System

Lech Zabor
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 63–86
https://doi.org/10.18485/bells.2011.3.4Detailed
5.
Gender and Vocabulary Learning in EFL: A Case Study from Macedonia

Anžela Nikolovska
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 87–109
https://doi.org/10.18485/bells.2011.3.5Detailed
6.
The CVX Theory of Syllable: The Analysis of Word-Final Rhymes in English and in Slovak

Renáta Gregová
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 111–126
https://doi.org/10.18485/bells.2011.3.6Detailed
7.
Quenched Light, or Seeing Through a Glass Darkly - A Collocation-Based View of Larkin’s Atheism and Depression

Marija Milojković
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 127–144
https://doi.org/10.18485/bells.2011.3.7Detailed
8.
Men and Beauty

Adrian Frazier
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 147–162
https://doi.org/10.18485/bells.2011.3.8Detailed
9.
Forging, Milking, Delivering: The Female and Maternal as Links Between a "Portrait" and "Ulysses"

Biljana Dojčinović
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 163–173
https://doi.org/10.18485/bells.2011.3.9Detailed
10.
Why Is a Talking Bird Funny? Aspects of Humor in "The Jewbird" by Bernard Malamud

Rumena Bužarovska
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 175–185
https://doi.org/10.18485/bells.2011.3.10Detailed
11.
Louis Macneice’s "Zoo" as a Personal Menagerie

Teresa Bruś
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 187–200
https://doi.org/10.18485/bells.2011.3.11Detailed
12.
Disintegration of Jewish Polish Identity and Re-Invention of a Postmodern Hybridized Self in Eva Hoffman’s "Lost in Translation: Life in a New Language"

Elżbieta Klimek-Dominiak
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 201–214
https://doi.org/10.18485/bells.2011.3.12Detailed
13.
“Hey, Come on, We’re All Americans Here": The Representation of Muslim-American Identity in John Updike’s "Terrorist"

Ulla Kriebernegg
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 215–228
https://doi.org/10.18485/bells.2011.3.13Detailed
14.
Postmodern Irony and Humor in "Catch-22" by Joseph Heller and Their Parallels in Postmodern Music and Art

Mirjana M. Knežević
Belgrade English Language and Literature Studies, 2011. - Vol. 3, p. 229–247
https://doi.org/10.18485/bells.2011.3.14Detailed