/ Faculty of Philology, University of Belgrade

Issues:

Volume 1 (2009)

Volume 2 (2010)

Volume 3 (2011)

Volume 4 (2012)

Volume 5 (2013)

Volume 6 (2014)

Volume 7 (2015)

Volume 8 (2016)

Volume 9 (2017)

Volume 10 (2018)

Belgrade English Language and Literature Studies, Vol. 6 (2014)


1.
Shakespeare in Music Theatre: “West Side Story”
Svetozar Rapajić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 23-41
https://doi.org/10.18485/bells.2014.6.2Detailed
2.
Untying the Knot: Shakespeare’s Sonnets 27 and 144 in Serbian Translations
Jelisaveta Milojević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 43-59
https://doi.org/10.18485/bells.2014.6.3Detailed
3.
Svetislav Stefanović’s Interpretation of William Shakespeare and World Literature
Dubravka Đurić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 61-81
https://doi.org/10.18485/bells.2014.6.4Detailed
4.
Shakespeare Studies, Philosophy and World Literature
Zorica Bečanović Nikolić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 83-103
https://doi.org/10.18485/bells.2014.6.5Detailed
5.
Nothing of Woman: The Feminine Void of Matter in Shakespeare
Danica Igrutinović
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 105-129
https://doi.org/10.18485/bells.2014.6.6Detailed
6.
Earliest Shakespeare: Bombast and Authenticity
Goran Stanivuković
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 131-155
https://doi.org/10.18485/bells.2014.6.7Detailed
7.
The Stage as Purgatory: Shakespearean Moral Dilemmas
Vesna Lopičić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 157-173
https://doi.org/10.18485/bells.2014.6.8Detailed
8.
Vision in Shakespeare’s Tragic Plays: Perception, Deception, Delusion
Nataša Šofranac
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 175-189
https://doi.org/10.18485/bells.2014.6.9Detailed
9.
‘To Do a Great Right, Do a Little Wrong’: “The Merchant of Venice” and Its Ethical Challenges
Danijela Kambasković
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 191-211
https://doi.org/10.18485/bells.2014.6.10Detailed
10.
“A Fortnight Hold We This Solemnity”: The Elizabethan Annual Cycle in Shakespeare’s Major Comedies
Milica Spremić Končar
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 213-229
https://doi.org/10.18485/bells.2014.6.11Detailed
11.
“I am for Other Than for Dancing Measures”: Shakespeare’s Spiritual Quest in “As You Like It”
Milena Kostić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 231-245
https://doi.org/10.18485/bells.2014.6.12Detailed
12.
In Search of the Unpresentable: ‘Detectives of the Sublime’ in (Post) Modern American Novel
Vladimir Bogićević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 247-271
https://doi.org/10.18485/bells.2014.6.13Detailed
13.
Popular Culture in its Postmodern Context: Vladimir Nabokov’s “Lolita”
Irina Kovačević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 273-291
https://doi.org/10.18485/bells.2014.6.14Detailed
14.
Instructing the Individual in Democracy in Walt Whitman’s “Leaves of Grass”
Stefan Pajović
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 293-302
https://doi.org/10.18485/bells.2014.6.15Detailed