/ Faculty of Philology, University of Belgrade

Issues:

Vol. 16 (2024)

Vol. 15 (2023)

Vol. 14 (2022)

Vol. 13 (2021)

Vol. 12 (2020)

Vol. 11 (2019)

Vol. 10 (2018)

Vol. 9 (2017)

Vol. 8 (2016)

Vol. 7 (2015)

Vol. 6 (2014)

Vol. 5 (2013)

Vol. 4 (2012)

Vol. 3 (2011)

Vol. 2 (2010)

Vol. 1 (2009)

Belgrade English Language and Literature Studies, Vol. 6 (2014)


1.
The Everlasting Companion Of Our Experience
Interview: Veselin Kostić
Radojka Vukčević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 15–20
https://doi.org/10.18485/bells.2014.6.1Detailed
2.
Shakespeare in Music Theatre: “West Side Story”

Svetozar Rapajić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 23–41
https://doi.org/10.18485/bells.2014.6.2Detailed
3.
Untying the Knot: Shakespeare’s Sonnets 27 and 144 in Serbian Translations

Jelisaveta Milojević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 43–59
https://doi.org/10.18485/bells.2014.6.3Detailed
4.
Svetislav Stefanović’s Interpretation of William Shakespeare and World Literature

Dubravka Đurić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 61–81
https://doi.org/10.18485/bells.2014.6.4Detailed
5.
Shakespeare Studies, Philosophy and World Literature

Zorica Bečanović Nikolić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 83–103
https://doi.org/10.18485/bells.2014.6.5Detailed
6.
Nothing of Woman: The Feminine Void of Matter in Shakespeare

Danica Igrutinović
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 105–129
https://doi.org/10.18485/bells.2014.6.6Detailed
7.
Earliest Shakespeare: Bombast and Authenticity

Goran Stanivuković
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 131–155
https://doi.org/10.18485/bells.2014.6.7Detailed
8.
The Stage as Purgatory: Shakespearean Moral Dilemmas

Vesna Lopičić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 157–173
https://doi.org/10.18485/bells.2014.6.8Detailed
9.
Vision in Shakespeare’s Tragic Plays: Perception, Deception, Delusion

Nataša Šofranac
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 175–189
https://doi.org/10.18485/bells.2014.6.9Detailed
10.
‘To Do a Great Right, Do a Little Wrong’: “The Merchant of Venice” and Its Ethical Challenges

Danijela Kambasković
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 191–211
https://doi.org/10.18485/bells.2014.6.10Detailed
11.
“A Fortnight Hold We This Solemnity”: The Elizabethan Annual Cycle in Shakespeare’s Major Comedies

Milica Spremić Končar
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 213–229
https://doi.org/10.18485/bells.2014.6.11Detailed
12.
“I am for Other Than for Dancing Measures”: Shakespeare’s Spiritual Quest in “As You Like It”

Milena Kostić
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 231–245
https://doi.org/10.18485/bells.2014.6.12Detailed
13.
In Search of the Unpresentable: ‘Detectives of the Sublime’ in (Post) Modern American Novel

Vladimir Bogićević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 247–271
https://doi.org/10.18485/bells.2014.6.13Detailed
14.
Popular Culture in its Postmodern Context: Vladimir Nabokov’s “Lolita”

Irina Kovačević
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 273–291
https://doi.org/10.18485/bells.2014.6.14Detailed
15.
Instructing the Individual in Democracy in Walt Whitman’s “Leaves of Grass”

Stefan Pajović
Belgrade English Language and Literature Studies, 2014. - Vol. 6, p. 293–302
https://doi.org/10.18485/bells.2014.6.15Detailed