/ Faculty of Philology, University of Belgrade

Issues:

Vol. 22 (2024), No. 22

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Vol. 5 (2007), No. 5

The Mannequin as an Active Agent: Decentered Subjectivity in Ian McEwan’s “Dead as They Come”



Mahdi Safari Monfared
orcid logo 16px https://orcid.org/0000-0002-7492-5466
Erfan Zarei
orcid logo 16px https://orcid.org/0009-0003-0496-9708


Philologia, Vol. 22 (2024) No. 22

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