doi
Fil
/ Filološki fakultet, Univerzitet u Beogradu
Tematski zbornici (2024)
Metapodaci knjige
Sadržaj
Film and Politics (2024)
https://doi.org/10.18485/ips_film_politics.2024
1.
The World of
Dune
as an Alternate Future Without AI
Primož Krašovec
Film and Politics, 2024, str. 13–32
https://doi.org/10.18485/ips_film_politics.2024.ch1
Detaljnije
2.
They Slay Dragons, Don’t They? On Taming of Dragons and the Oblivion of Evil in Modern Storytelling
Nikola Tanasić
Film and Politics, 2024, str. 33–48
https://doi.org/10.18485/ips_film_politics.2024.ch2
Detaljnije
3.
Star Wars, from the Jungles of Vietnam to the Deserts of Iraq and Beyond
Ivan Matić
Film and Politics, 2024, str. 49–64
https://doi.org/10.18485/ips_film_politics.2024.ch3
Detaljnije
4.
The Prince of the Rings: Can Films Help Us Understand Politics?
Isidora Novaković
Film and Politics, 2024, str. 65–80
https://doi.org/10.18485/ips_film_politics.2024.ch4
Detaljnije
5.
Films and Series as Instruments of Geopolitics
Zoran Milošević
Film and Politics, 2024, str. 83–103
https://doi.org/10.18485/ips_film_politics.2024.ch5
Detaljnije
6.
Film as Soft Power
Braco Kovačević
Film and Politics, 2024, str. 105–125
https://doi.org/10.18485/ips_film_politics.2024.ch6
Detaljnije
7.
Cultural Paradiplomacy Capacities; Cinema and Film: A Strategic Perspective in Cultural Relation and Convergence; A Case Study of Iran and Serbia
Maryam Khaleghinezhad
Film and Politics, 2024, str. 127–142
https://doi.org/10.18485/ips_film_politics.2024.ch7
Detaljnije
8.
Film and Reconciliation: A Case Study from the Republic of South Africa
Miloš Jevtić
Film and Politics, 2024, str. 143–157
https://doi.org/10.18485/ips_film_politics.2024.ch8
Detaljnije
9.
Cinema as a Tool of Cognitive Warfare: The Case of the Republic of Serbia
Elena G. Ponomareva, Yevgeny V. Ryabinin
Film and Politics, 2024, str. 159–172
https://doi.org/10.18485/ips_film_politics.2024.ch9
Detaljnije
10.
“Kill the Russian... in Yourself” Images of Donbass, Russia, and Russians in Modern Ukrainian Cinema
Eduard Anatolievich Popov
Film and Politics, 2024, str. 173–188
https://doi.org/10.18485/ips_film_politics.2024.ch10
Detaljnije
11.
Modern Motion Pistures and TV Series as Tools of Soft Power
Vladimir Dubrovin
Film and Politics, 2024, str. 189–199
https://doi.org/10.18485/ips_film_politics.2024.ch11
Detaljnije
12.
Archaic Motives in Modern Cinematography
Rustem Vahitov
Film and Politics, 2024, str. 203–211
https://doi.org/10.18485/ips_film_politics.2024.ch12
Detaljnije
13.
Social Deviations and Deviations of Socialism: Critical Cinematography of the Yugoslav Black Wave
Aleksandar Matković
Film and Politics, 2024, str. 213–232
https://doi.org/10.18485/ips_film_politics.2024.ch13
Detaljnije
14.
Feature Films and Documentaries on Soviet History as a Means of Constructing Political Identity in Contemporary Russia
Andrey Baranov
Film and Politics, 2024, str. 233–246
https://doi.org/10.18485/ips_film_politics.2024.ch14
Detaljnije
15.
The Film Industry as a Political Persuasion Technology
Natalya Belous, Elena Vakulina
Film and Politics, 2024, str. 247–254
https://doi.org/10.18485/ips_film_politics.2024.ch15
Detaljnije
16.
The Film “Alexa Dundić” as Part af the Policy of Overcoming the Conflict of the FPR of Yugoslavia and the USSR
Nenad Petrović
Film and Politics, 2024, str. 255–264
https://doi.org/10.18485/ips_film_politics.2024.ch16
Detaljnije
17.
Anthropological Interpretation of the Film “They Live”
Jelena Miljković Matić
Film and Politics, 2024, str. 265–284
https://doi.org/10.18485/ips_film_politics.2024.ch17
Detaljnije
18.
The Political and Ideological Aspect in the Cinematography of the USSR and the Russian Federation on the Example of Films about War
Ivan Andreevich Ivannikov
Film and Politics, 2024, str. 285–294
https://doi.org/10.18485/ips_film_politics.2024.ch18
Detaljnije
19.
Situ Zhaodun’s Legacy: An Enduring Contribution to Socio-Cultural Cinematography
Marta Nešković, Hongyun Sun
Film and Politics, 2024, str. 297–316
https://doi.org/10.18485/ips_film_politics.2024.ch19
Detaljnije
20.
Oliver Stone’s Political Cinema
Vladan Stanković
Film and Politics, 2024, str. 317–331
https://doi.org/10.18485/ips_film_politics.2024.ch20
Detaljnije
21.
Abuse of Power Through the Prism of Contemporary Political Cinema
Tijana Perić Diligenski
Film and Politics, 2024, str. 333–346
https://doi.org/10.18485/ips_film_politics.2024.ch21
Detaljnije
22.
The Film Industry and Election Campaigns
Jelena Vujanović
Film and Politics, 2024, str. 347–361
https://doi.org/10.18485/ips_film_politics.2024.ch22
Detaljnije
23.
Critique of Slobodan Milošević’s Rule in Serbian Cinematography: A Case Study of the Film “The Professional”
Nikola Perišić
Film and Politics, 2024, str. 363–380
https://doi.org/10.18485/ips_film_politics.2024.ch23
Detaljnije
24.
Cinematic Self-Criticism as a Method of Justification of Contemporary Politics: The Case of
Barbie
and
Oppenheimer
Aleksandra Vučković
Film and Politics, 2024, str. 381–398
https://doi.org/10.18485/ips_film_politics.2024.ch24
Detaljnije
25.
Suleiman the Magnificent as a TV Series Hero: An Emperor, a Lover, a Poet
Hakan Yalap
Film and Politics, 2024, str. 401–408
https://doi.org/10.18485/ips_film_politics.2024.ch25
Detaljnije
26.
Czech Cinematography as an Instrument of Nazi Policy in the Protectorate of Bohemia and Moravia in 1939–1945
Kirill Shevchenko
Film and Politics, 2024, str. 409–418
https://doi.org/10.18485/ips_film_politics.2024.ch26
Detaljnije
27.
Identitary Symbols and Spanish Cinematic Discourse — From Francoism to Almodovarian Cinema
Sanja Stošić
Film and Politics, 2024, str. 419–444
https://doi.org/10.18485/ips_film_politics.2024.ch27
Detaljnije
28.
Thunderous Silence — Christianity at the Time of Persecution in Japan
Sonja Višnjić Žižović
Film and Politics, 2024, str. 445–463
https://doi.org/10.18485/ips_film_politics.2024.ch28
Detaljnije
29.
Between History and Dream: Decoding Fellini’s “And the Ship Sails On”
Matija Malešević
Film and Politics, 2024, str. 465–474
https://doi.org/10.18485/ips_film_politics.2024.ch29
Detaljnije
30.
Science and Journalism Combined in Exposing the Hidden Messages of Film
With a Selected Bibliography of Scientific Works
Dajana Lazarević
Film and Politics, 2024, str. 475–487
https://doi.org/10.18485/ips_film_politics.2024.ch30
Detaljnije