/ Filološki fakultet, Univerzitet u Beogradu

Tematski zbornici (2024)

Metapodaci knjige

Sadržaj

Film and Politics (2024)

https://doi.org/10.18485/ips_film_politics.2024

1.
The World of Dune as an Alternate Future Without AI

Primož Krašovec
Film and Politics, 2024, str. 13–32
https://doi.org/10.18485/ips_film_politics.2024.ch1Detaljnije
2.
They Slay Dragons, Don’t They? On Taming of Dragons and the Oblivion of Evil in Modern Storytelling

Nikola Tanasić
Film and Politics, 2024, str. 33–48
https://doi.org/10.18485/ips_film_politics.2024.ch2Detaljnije
3.
Star Wars, from the Jungles of Vietnam to the Deserts of Iraq and Beyond

Ivan Matić
Film and Politics, 2024, str. 49–64
https://doi.org/10.18485/ips_film_politics.2024.ch3Detaljnije
4.
The Prince of the Rings: Can Films Help Us Understand Politics?

Isidora Novaković
Film and Politics, 2024, str. 65–80
https://doi.org/10.18485/ips_film_politics.2024.ch4Detaljnije
5.
Films and Series as Instruments of Geopolitics

Zoran Milošević
Film and Politics, 2024, str. 83–103
https://doi.org/10.18485/ips_film_politics.2024.ch5Detaljnije
6.
Film as Soft Power

Braco Kovačević
Film and Politics, 2024, str. 105–125
https://doi.org/10.18485/ips_film_politics.2024.ch6Detaljnije
7.
Cultural Paradiplomacy Capacities; Cinema and Film: A Strategic Perspective in Cultural Relation and Convergence; A Case Study of Iran and Serbia

Maryam Khaleghinezhad
Film and Politics, 2024, str. 127–142
https://doi.org/10.18485/ips_film_politics.2024.ch7Detaljnije
8.
Film and Reconciliation: A Case Study from the Republic of South Africa

Miloš Jevtić
Film and Politics, 2024, str. 143–157
https://doi.org/10.18485/ips_film_politics.2024.ch8Detaljnije
9.
Cinema as a Tool of Cognitive Warfare: The Case of the Republic of Serbia

Elena G. Ponomareva
Yevgeny V. Ryabinin
Film and Politics, 2024, str. 159–172
https://doi.org/10.18485/ips_film_politics.2024.ch9Detaljnije
10.
“Kill the Russian... in Yourself” Images of Donbass, Russia, and Russians in Modern Ukrainian Cinema

Eduard Anatolievich Popov
Film and Politics, 2024, str. 173–188
https://doi.org/10.18485/ips_film_politics.2024.ch10Detaljnije
11.
Modern Motion Pistures and TV Series as Tools of Soft Power

Vladimir Dubrovin
Film and Politics, 2024, str. 189–199
https://doi.org/10.18485/ips_film_politics.2024.ch11Detaljnije
12.
Archaic Motives in Modern Cinematography

Rustem Vahitov
Film and Politics, 2024, str. 203–211
https://doi.org/10.18485/ips_film_politics.2024.ch12Detaljnije
13.
Social Deviations and Deviations of Socialism: Critical Cinematography of the Yugoslav Black Wave

Aleksandar Matković
Film and Politics, 2024, str. 213–232
https://doi.org/10.18485/ips_film_politics.2024.ch13Detaljnije
14.
Feature Films and Documentaries on Soviet History as a Means of Constructing Political Identity in Contemporary Russia

Andrey Baranov
Film and Politics, 2024, str. 233–246
https://doi.org/10.18485/ips_film_politics.2024.ch14Detaljnije
15.
The Film Industry as a Political Persuasion Technology

Natalya Belous
Elena Vakulina
Film and Politics, 2024, str. 247–254
https://doi.org/10.18485/ips_film_politics.2024.ch15Detaljnije
16.
The Film “Alexa Dundić” as Part af the Policy of Overcoming the Conflict of the FPR of Yugoslavia and the USSR

Nenad Petrović
Film and Politics, 2024, str. 255–264
https://doi.org/10.18485/ips_film_politics.2024.ch16Detaljnije
17.
Anthropological Interpretation of the Film “They Live”

Jelena Miljković Matić
Film and Politics, 2024, str. 265–284
https://doi.org/10.18485/ips_film_politics.2024.ch17Detaljnije
18.
The Political and Ideological Aspect in the Cinematography of the USSR and the Russian Federation on the Example of Films about War

Ivan Andreevich Ivannikov
Film and Politics, 2024, str. 285–294
https://doi.org/10.18485/ips_film_politics.2024.ch18Detaljnije
19.
Situ Zhaodun’s Legacy: An Enduring Contribution to Socio-Cultural Cinematography

Marta Nešković
Hongyun Sun
Film and Politics, 2024, str. 297–316
https://doi.org/10.18485/ips_film_politics.2024.ch19Detaljnije
20.
Oliver Stone’s Political Cinema

Vladan Stanković
Film and Politics, 2024, str. 317–331
https://doi.org/10.18485/ips_film_politics.2024.ch20Detaljnije
21.
Abuse of Power Through the Prism of Contemporary Political Cinema

Tijana Perić Diligenski
Film and Politics, 2024, str. 333–346
https://doi.org/10.18485/ips_film_politics.2024.ch21Detaljnije
22.
The Film Industry and Election Campaigns

Jelena Vujanović
Film and Politics, 2024, str. 347–361
https://doi.org/10.18485/ips_film_politics.2024.ch22Detaljnije
23.
Critique of Slobodan Milošević’s Rule in Serbian Cinematography: A Case Study of the Film “The Professional”

Nikola Perišić
Film and Politics, 2024, str. 363–380
https://doi.org/10.18485/ips_film_politics.2024.ch23Detaljnije
24.
Cinematic Self-Criticism as a Method of Justification of Contemporary Politics: The Case of Barbie and Oppenheimer

Aleksandra Vučković
Film and Politics, 2024, str. 381–398
https://doi.org/10.18485/ips_film_politics.2024.ch24Detaljnije
25.
Suleiman the Magnificent as a TV Series Hero: An Emperor, a Lover, a Poet

Hakan Yalap
Film and Politics, 2024, str. 401–408
https://doi.org/10.18485/ips_film_politics.2024.ch25Detaljnije
26.
Czech Cinematography as an Instrument of Nazi Policy in the Protectorate of Bohemia and Moravia in 1939–1945

Kirill Shevchenko
Film and Politics, 2024, str. 409–418
https://doi.org/10.18485/ips_film_politics.2024.ch26Detaljnije
27.
Identitary Symbols and Spanish Cinematic Discourse — From Francoism to Almodovarian Cinema

Sanja Stošić
Film and Politics, 2024, str. 419–444
https://doi.org/10.18485/ips_film_politics.2024.ch27Detaljnije
28.
Thunderous Silence — Christianity at the Time of Persecution in Japan

Sonja Višnjić Žižović
Film and Politics, 2024, str. 445–463
https://doi.org/10.18485/ips_film_politics.2024.ch28Detaljnije
29.
Between History and Dream: Decoding Fellini’s “And the Ship Sails On”

Matija Malešević
Film and Politics, 2024, str. 465–474
https://doi.org/10.18485/ips_film_politics.2024.ch29Detaljnije
30.
Science and Journalism Combined in Exposing the Hidden Messages of Film
With a Selected Bibliography of Scientific Works
Dajana Lazarević
Film and Politics, 2024, str. 475–487
https://doi.org/10.18485/ips_film_politics.2024.ch30Detaljnije