дои
Фил
/ Филолошки факултет, Универзитет у Београду
Издања:
Књ. 15 (2023)
Књ. 14 (2022)
Књ. 13 (2021)
Књ. 12 (2020)
Књ. 11 (2019)
Књ. 10 (2018)
Књ. 9 (2017)
Књ. 8 (2016)
Књ. 7 (2015)
Књ. 6 (2014)
Књ. 5 (2013)
Књ. 4 (2012)
Књ. 3 (2011)
Књ. 2 (2010)
Књ. 1 (2009)
Belgrade English Language and Literature Studies, Књ. 3 (2011)
1.
Richard II: His Hidden Legacy in the English Language
Junichi Toyota
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 9–32
https://doi.org/10.18485/bells.2011.3.1
Детаљније
2.
Progressive Aspect Today: The Stative Verbs
Hortensia Pârlog
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 33–48
https://doi.org/10.18485/bells.2011.3.2
Детаљније
3.
The Marker "You See": Cognitive-Pragmatic and Socio-Pragmatic Observations
Mirjana Mišković-Luković
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 49–62
https://doi.org/10.18485/bells.2011.3.3
Детаљније
4.
Perception of Uniqueness and the Acquisition of the English Article System
Lech Zabor
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 63–86
https://doi.org/10.18485/bells.2011.3.4
Детаљније
5.
Gender and Vocabulary Learning in EFL: A Case Study from Macedonia
Anžela Nikolovska
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 87–109
https://doi.org/10.18485/bells.2011.3.5
Детаљније
6.
The CVX Theory of Syllable: The Analysis of Word-Final Rhymes in English and in Slovak
Renáta Gregová
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 111–126
https://doi.org/10.18485/bells.2011.3.6
Детаљније
7.
Quenched Light, or Seeing Through a Glass Darkly - A Collocation-Based View of Larkin’s Atheism and Depression
Marija Milojković
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 127–144
https://doi.org/10.18485/bells.2011.3.7
Детаљније
8.
Men and Beauty
Adrian Frazier
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 147–162
https://doi.org/10.18485/bells.2011.3.8
Детаљније
9.
Forging, Milking, Delivering: The Female and Maternal as Links Between a "Portrait" and "Ulysses"
Biljana Dojčinović
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 163–173
https://doi.org/10.18485/bells.2011.3.9
Детаљније
10.
Why Is a Talking Bird Funny? Aspects of Humor in "The Jewbird" by Bernard Malamud
Rumena Bužarovska
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 175–185
https://doi.org/10.18485/bells.2011.3.10
Детаљније
11.
Louis Macneice’s "Zoo" as a Personal Menagerie
Teresa Bruś
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 187–200
https://doi.org/10.18485/bells.2011.3.11
Детаљније
12.
Disintegration of Jewish Polish Identity and Re-Invention of a Postmodern Hybridized Self in Eva Hoffman’s "Lost in Translation: Life in a New Language"
Elżbieta Klimek-Dominiak
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 201–214
https://doi.org/10.18485/bells.2011.3.12
Детаљније
13.
“Hey, Come on, We’re All Americans Here": The Representation of Muslim-American Identity in John Updike’s "Terrorist"
Ulla Kriebernegg
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 215–228
https://doi.org/10.18485/bells.2011.3.13
Детаљније
14.
Postmodern Irony and Humor in "Catch-22" by Joseph Heller and Their Parallels in Postmodern Music and Art
Mirjana M. Knežević
Belgrade English Language and Literature Studies, 2011. - Књ. 3, стр. 229–247
https://doi.org/10.18485/bells.2011.3.14
Детаљније