doiFil / Facultad de Filología, Universidad de Belgrado

Antologías (2020)
Metadatos del libro
Contenido

The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century) (2020)

https://doi.org/10.18485/music_diplomacy.2020

1.	Introduction Ivana Vesić, Vesna Peno, Boštjan Udovič The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 9–14 https://doi.org/10.18485/music_diplomacy.2020.ch1Detallado
2.	The European Character of Dubrovnik and the Dalmatian Littoral at the End of the Enlightenment Period: Music and Diplomatic Ties of Luka and Miho Sorkočević, Julije Bajamonti and Ruđer Bošković Ivana Tomić Ferić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 17–36 https://doi.org/10.18485/music_diplomacy.2020.ch2Detallado
3.	The Birth of the Serbian National Music Project Under the Influence of Diplomacy Vesna Peno, Goran Vasin The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 37–52 https://doi.org/10.18485/music_diplomacy.2020.ch3Detallado
4.	Petar Bingulac, Musicologist and Music Critic in the Diplomatic Service Ratomir Milikić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 53–62 https://doi.org/10.18485/music_diplomacy.2020.ch4Detallado
5.	Musical Life in Belgrade as an Instrument of Global Political Polarization on the Eve of WWII Ranka Gašić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 65–75 https://doi.org/10.18485/music_diplomacy.2020.ch5Detallado
6.	Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art Srđan Atanasovski The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 77–91 https://doi.org/10.18485/music_diplomacy.2020.ch6Detallado
7.	The Echoes of Diplomatic Disputes. The Macedonian Question in the Work of Serbian and Yugoslav Music Scholars Ivana Vesić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 93–120 https://doi.org/10.18485/music_diplomacy.2020.ch7Detallado
8.	Before and After the “Treaty of Eternal Friendship”. Musical and Cultural Contacts between Bulgaria and Yugoslavia in the 1930s (an Attempt at Typology) Stefanka Georgieva The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 121–139 https://doi.org/10.18485/music_diplomacy.2020.ch8Detallado
9.	Music During the Cold War: A Romanian Story Florinela Popa The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 141–154 https://doi.org/10.18485/music_diplomacy.2020.ch9Detallado
10.	“Ideologically Progressive Art” Meets Western Avant-Garde Lenka Křupková The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 155–164 https://doi.org/10.18485/music_diplomacy.2020.ch10Detallado
11.	Music and Cultural Diplomacy: Presentation of the “New Yugoslavia” in France After 1945 Aleksandra Kolaković The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 167–183 https://doi.org/10.18485/music_diplomacy.2020.ch11Detallado
12.	Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split with the USSR and the Countries of “People’s Democracy” (1949–1952) Biljana Milanović The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 185–202 https://doi.org/10.18485/music_diplomacy.2020.ch12Detallado
13.	”Folklore Diplomacy” — The Role of Musical Folklore in Yugoslavia’s Foreign Policy 1949–1971 Ivan Hofman The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 203–227 https://doi.org/10.18485/music_diplomacy.2020.ch13Detallado
14.	Yugoslav Music Diplomacy in the 1960s and 1970s — the Cases of Esma Redžepova and the Band Magnifico Julijana Papazova The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 229–239 https://doi.org/10.18485/music_diplomacy.2020.ch14Detallado
15.	Cultural Cooperation between the Non-Aligned Yugoslavia and the Neutral Finland From the 1960s to the 1980s Maja Vasiljević The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, p. 241–256 https://doi.org/10.18485/music_diplomacy.2020.ch15Detallado