/ Филолошки факултет, Универзитет у Београду

Тематски зборници (2024)

Метаподаци књиге

Садржај

Film and Politics (2024)

https://doi.org/10.18485/ips_film_politics.2024

1.
The World of Dune as an Alternate Future Without AI
Primož Krašovec
Film and Politics, 2024, стр. 13–32
https://doi.org/10.18485/ips_film_politics.2024.ch1Детаљније
2.
They Slay Dragons, Don’t They? On Taming of Dragons and the Oblivion of Evil in Modern Storytelling
Nikola Tanasić
Film and Politics, 2024, стр. 33–48
https://doi.org/10.18485/ips_film_politics.2024.ch2Детаљније
3.
Star Wars, from the Jungles of Vietnam to the Deserts of Iraq and Beyond
Ivan Matić
Film and Politics, 2024, стр. 49–64
https://doi.org/10.18485/ips_film_politics.2024.ch3Детаљније
4.
The Prince of the Rings: Can Films Help Us Understand Politics?
Isidora Novaković
Film and Politics, 2024, стр. 65–80
https://doi.org/10.18485/ips_film_politics.2024.ch4Детаљније
5.
Films and Series as Instruments of Geopolitics
Zoran Milošević
Film and Politics, 2024, стр. 83–103
https://doi.org/10.18485/ips_film_politics.2024.ch5Детаљније
6.
Film as Soft Power
Braco Kovačević
Film and Politics, 2024, стр. 105–125
https://doi.org/10.18485/ips_film_politics.2024.ch6Детаљније
7.
Cultural Paradiplomacy Capacities; Cinema and Film: A Strategic Perspective in Cultural Relation and Convergence; A Case Study of Iran and Serbia
Maryam Khaleghinezhad
Film and Politics, 2024, стр. 127–142
https://doi.org/10.18485/ips_film_politics.2024.ch7Детаљније
8.
Film and Reconciliation: A Case Study from the Republic of South Africa
Miloš Jevtić
Film and Politics, 2024, стр. 143–157
https://doi.org/10.18485/ips_film_politics.2024.ch8Детаљније
9.
Cinema as a Tool of Cognitive Warfare: The Case of the Republic of Serbia
Elena G. Ponomareva, Yevgeny V. Ryabinin
Film and Politics, 2024, стр. 159–172
https://doi.org/10.18485/ips_film_politics.2024.ch9Детаљније
10.
“Kill the Russian... in Yourself” Images of Donbass, Russia, and Russians in Modern Ukrainian Cinema
Eduard Anatolievich Popov
Film and Politics, 2024, стр. 173–188
https://doi.org/10.18485/ips_film_politics.2024.ch10Детаљније
11.
Modern Motion Pistures and TV Series as Tools of Soft Power
Vladimir Dubrovin
Film and Politics, 2024, стр. 189–199
https://doi.org/10.18485/ips_film_politics.2024.ch11Детаљније
12.
Archaic Motives in Modern Cinematography
Rustem Vahitov
Film and Politics, 2024, стр. 203–211
https://doi.org/10.18485/ips_film_politics.2024.ch12Детаљније
13.
Social Deviations and Deviations of Socialism: Critical Cinematography of the Yugoslav Black Wave
Aleksandar Matković
Film and Politics, 2024, стр. 213–232
https://doi.org/10.18485/ips_film_politics.2024.ch13Детаљније
14.
Feature Films and Documentaries on Soviet History as a Means of Constructing Political Identity in Contemporary Russia
Andrey Baranov
Film and Politics, 2024, стр. 233–246
https://doi.org/10.18485/ips_film_politics.2024.ch14Детаљније
15.
The Film Industry as a Political Persuasion Technology
Natalya Belous, Elena Vakulina
Film and Politics, 2024, стр. 247–254
https://doi.org/10.18485/ips_film_politics.2024.ch15Детаљније
16.
The Film “Alexa Dundić” as Part af the Policy of Overcoming the Conflict of the FPR of Yugoslavia and the USSR
Nenad Petrović
Film and Politics, 2024, стр. 255–264
https://doi.org/10.18485/ips_film_politics.2024.ch16Детаљније
17.
Anthropological Interpretation of the Film “They Live”
Jelena Miljković Matić
Film and Politics, 2024, стр. 265–284
https://doi.org/10.18485/ips_film_politics.2024.ch17Детаљније
18.
The Political and Ideological Aspect in the Cinematography of the USSR and the Russian Federation on the Example of Films about War
Ivan Andreevich Ivannikov
Film and Politics, 2024, стр. 285–294
https://doi.org/10.18485/ips_film_politics.2024.ch18Детаљније
19.
Situ Zhaodun’s Legacy: An Enduring Contribution to Socio-Cultural Cinematography
Marta Nešković, Hongyun Sun
Film and Politics, 2024, стр. 297–316
https://doi.org/10.18485/ips_film_politics.2024.ch19Детаљније
20.
Oliver Stone’s Political Cinema
Vladan Stanković
Film and Politics, 2024, стр. 317–331
https://doi.org/10.18485/ips_film_politics.2024.ch20Детаљније
21.
Abuse of Power Through the Prism of Contemporary Political Cinema
Tijana Perić Diligenski
Film and Politics, 2024, стр. 333–346
https://doi.org/10.18485/ips_film_politics.2024.ch21Детаљније
22.
The Film Industry and Election Campaigns
Jelena Vujanović
Film and Politics, 2024, стр. 347–361
https://doi.org/10.18485/ips_film_politics.2024.ch22Детаљније
23.
Critique of Slobodan Milošević’s Rule in Serbian Cinematography: A Case Study of the Film “The Professional”
Nikola Perišić
Film and Politics, 2024, стр. 363–380
https://doi.org/10.18485/ips_film_politics.2024.ch23Детаљније
24.
Cinematic Self-Criticism as a Method of Justification of Contemporary Politics: The Case of Barbie and Oppenheimer
Aleksandra Vučković
Film and Politics, 2024, стр. 381–398
https://doi.org/10.18485/ips_film_politics.2024.ch24Детаљније
25.
Suleiman the Magnificent as a TV Series Hero: An Emperor, a Lover, a Poet
Hakan Yalap
Film and Politics, 2024, стр. 401–408
https://doi.org/10.18485/ips_film_politics.2024.ch25Детаљније
26.
Czech Cinematography as an Instrument of Nazi Policy in the Protectorate of Bohemia and Moravia in 1939–1945
Kirill Shevchenko
Film and Politics, 2024, стр. 409–418
https://doi.org/10.18485/ips_film_politics.2024.ch26Детаљније
27.
Identitary Symbols and Spanish Cinematic Discourse — From Francoism to Almodovarian Cinema
Sanja Stošić
Film and Politics, 2024, стр. 419–444
https://doi.org/10.18485/ips_film_politics.2024.ch27Детаљније
28.
Thunderous Silence — Christianity at the Time of Persecution in Japan
Sonja Višnjić Žižović
Film and Politics, 2024, стр. 445–463
https://doi.org/10.18485/ips_film_politics.2024.ch28Детаљније
29.
Between History and Dream: Decoding Fellini’s “And the Ship Sails On”
Matija Malešević
Film and Politics, 2024, стр. 465–474
https://doi.org/10.18485/ips_film_politics.2024.ch29Детаљније
30.
Science and Journalism Combined in Exposing the Hidden Messages of Film
With a Selected Bibliography of Scientific Works
Dajana Lazarević
Film and Politics, 2024, стр. 475–487
https://doi.org/10.18485/ips_film_politics.2024.ch30Детаљније