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Izdanja:
Knj. 17 (2025)
Knj. 16 (2024)
Knj. 15 (2023)
Knj. 14 (2022)
Knj. 13 (2021)
Knj. 12 (2020)
Knj. 11 (2019)
Knj. 10 (2018)
Knj. 9 (2017)
Knj. 8 (2016)
Knj. 7 (2015)
Knj. 6 (2014)
Knj. 5 (2013)
Knj. 4 (2012)
Knj. 3 (2011)
Knj. 2 (2010)
Knj. 1 (2009)

Belgrade English Language and Literature Studies, Knj. 6 (2014)

1.	The Everlasting Companion Of Our Experience Interview: Veselin Kostić Radojka Vukčević Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 15–20 https://doi.org/10.18485/bells.2014.6.1Detaljnije
2.	Shakespeare in Music Theatre: “West Side Story” Svetozar Rapajić Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 23–41 https://doi.org/10.18485/bells.2014.6.2Detaljnije
3.	Untying the Knot: Shakespeare’s Sonnets 27 and 144 in Serbian Translations Jelisaveta Milojević Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 43–59 https://doi.org/10.18485/bells.2014.6.3Detaljnije
4.	Svetislav Stefanović’s Interpretation of William Shakespeare and World Literature Dubravka Đurić Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 61–81 https://doi.org/10.18485/bells.2014.6.4Detaljnije
5.	Shakespeare Studies, Philosophy and World Literature Zorica Bečanović Nikolić Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 83–103 https://doi.org/10.18485/bells.2014.6.5Detaljnije
6.	Nothing of Woman: The Feminine Void of Matter in Shakespeare Danica Igrutinović Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 105–129 https://doi.org/10.18485/bells.2014.6.6Detaljnije
7.	Earliest Shakespeare: Bombast and Authenticity Goran Stanivuković Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 131–155 https://doi.org/10.18485/bells.2014.6.7Detaljnije
8.	The Stage as Purgatory: Shakespearean Moral Dilemmas Vesna Lopičić Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 157–173 https://doi.org/10.18485/bells.2014.6.8Detaljnije
9.	Vision in Shakespeare’s Tragic Plays: Perception, Deception, Delusion Nataša Šofranac Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 175–189 https://doi.org/10.18485/bells.2014.6.9Detaljnije
10.	‘To Do a Great Right, Do a Little Wrong’: “The Merchant of Venice” and Its Ethical Challenges Danijela Kambasković Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 191–211 https://doi.org/10.18485/bells.2014.6.10Detaljnije
11.	“A Fortnight Hold We This Solemnity”: The Elizabethan Annual Cycle in Shakespeare’s Major Comedies Milica Spremić Končar Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 213–229 https://doi.org/10.18485/bells.2014.6.11Detaljnije
12.	“I am for Other Than for Dancing Measures”: Shakespeare’s Spiritual Quest in “As You Like It” Milena Kostić Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 231–245 https://doi.org/10.18485/bells.2014.6.12Detaljnije
13.	In Search of the Unpresentable: ‘Detectives of the Sublime’ in (Post) Modern American Novel Vladimir Bogićević Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 247–271 https://doi.org/10.18485/bells.2014.6.13Detaljnije
14.	Popular Culture in its Postmodern Context: Vladimir Nabokov’s “Lolita” Irina Kovačević Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 273–291 https://doi.org/10.18485/bells.2014.6.14Detaljnije
15.	Instructing the Individual in Democracy in Walt Whitman’s “Leaves of Grass” Stefan Pajović Belgrade English Language and Literature Studies, 2014. - Knj. 6, str. 293–302 https://doi.org/10.18485/bells.2014.6.15Detaljnije