доиФил / Филолошки факултет Универзитета у Београду

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Тематски зборници (2020)
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The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century) (2020)

https://doi.org/10.18485/music_diplomacy.2020

1.	Introduction Ivana Vesić Vesna Peno Boštjan Udovič The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 9–14 https://doi.org/10.18485/music_diplomacy.2020.ch1Детаљније
2.	The European Character of Dubrovnik and the Dalmatian Littoral at the End of the Enlightenment Period: Music and Diplomatic Ties of Luka and Miho Sorkočević, Julije Bajamonti and Ruđer Bošković Ivana Tomić Ferić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 17–36 https://doi.org/10.18485/music_diplomacy.2020.ch2Детаљније
3.	The Birth of the Serbian National Music Project Under the Influence of Diplomacy Vesna Peno Goran Vasin The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 37–52 https://doi.org/10.18485/music_diplomacy.2020.ch3Детаљније
4.	Petar Bingulac, Musicologist and Music Critic in the Diplomatic Service Ratomir Milikić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 53–62 https://doi.org/10.18485/music_diplomacy.2020.ch4Детаљније
5.	Musical Life in Belgrade as an Instrument of Global Political Polarization on the Eve of WWII Ranka Gašić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 65–75 https://doi.org/10.18485/music_diplomacy.2020.ch5Детаљније
6.	Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art Srđan Atanasovski The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 77–91 https://doi.org/10.18485/music_diplomacy.2020.ch6Детаљније
7.	The Echoes of Diplomatic Disputes. The Macedonian Question in the Work of Serbian and Yugoslav Music Scholars Ivana Vesić The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 93–120 https://doi.org/10.18485/music_diplomacy.2020.ch7Детаљније
8.	Before and After the “Treaty of Eternal Friendship”. Musical and Cultural Contacts between Bulgaria and Yugoslavia in the 1930s (an Attempt at Typology) Stefanka Georgieva The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 121–139 https://doi.org/10.18485/music_diplomacy.2020.ch8Детаљније
9.	Music During the Cold War: A Romanian Story Florinela Popa The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 141–154 https://doi.org/10.18485/music_diplomacy.2020.ch9Детаљније
10.	“Ideologically Progressive Art” Meets Western Avant-Garde Lenka Křupková The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 155–164 https://doi.org/10.18485/music_diplomacy.2020.ch10Детаљније
11.	Music and Cultural Diplomacy: Presentation of the “New Yugoslavia” in France After 1945 Aleksandra Kolaković The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 167–183 https://doi.org/10.18485/music_diplomacy.2020.ch11Детаљније
12.	Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split with the USSR and the Countries of “People’s Democracy” (1949–1952) Biljana Milanović The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 185–202 https://doi.org/10.18485/music_diplomacy.2020.ch12Детаљније
13.	”Folklore Diplomacy” — The Role of Musical Folklore in Yugoslavia’s Foreign Policy 1949–1971 Ivan Hofman The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 203–227 https://doi.org/10.18485/music_diplomacy.2020.ch13Детаљније
14.	Yugoslav Music Diplomacy in the 1960s and 1970s — the Cases of Esma Redžepova and the Band Magnifico Julijana Papazova The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 229–239 https://doi.org/10.18485/music_diplomacy.2020.ch14Детаљније
15.	Cultural Cooperation between the Non-Aligned Yugoslavia and the Neutral Finland From the 1960s to the 1980s Maja Vasiljević The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 2020, стр. 241–256 https://doi.org/10.18485/music_diplomacy.2020.ch15Детаљније